ACT ONE

FADE IN:

EXT. - CONCERT HALL - NIGHT

An outside shot of people walking toward the front doors of the auditorium. The camera follows as if it was one of the people going to this event.

CUT TO:

INT. - INSIDE FRONT ENTRANCE - CONTINUOUS

The camera gives the usher a ticket. The usher motions his hand for the camera to follow. We follow the usher until he finds the correct seat. Others close by get up stand giving the camera room to get into its seat. The camera moves to the right as it bobs slightly trying to get out of the way of other people behind it; The camera drops its view to signify it has found its seat. A few seconds later, a tall person comes into view from the left of the screen. The person now sits directly in front of the camera’s view and blocks the view of the stage. A finger pokes the person’s back and gestures for the person to move to the left. The person looks over her shoulder and apologetically moves to the next seat to the left.

CUT TO:

INT. - BACKSTAGE - CONTINUOUS

A make-up person puts the finishing touches on the twenty something pop diva. She has two other women surrounding her.

SINGER (Impatiently)
Elena, what time do you have?

Elena anxiously rolls up her sleeve and checks her watch.

SINGER
What is this? As you can see I don’t have all night. I swear if I didn’t save your behind by giving you this job, you’d be still flipping burgers for your pops. (To the other woman) Gabrielle! Time!

GABRIELLE
Five minutes to eight.

SINGER
(To Elena) You see that? Try to remember it when I ask you again. Now get me some water.

Elena scurries out of the room.

MAKE-UP PERSON
Now was it really necessary? They’re assistants not indentured servants.

SINGER
Who are you their guardian angel? Why don’t you stick to putting that stuff on my face and mind your business. Gabrielle, give me my cell!

Gabrielle digs into her pockets, gets the cell phone and gives it to the singer. Elena jogs back into the room with a bottle of water in her hand. Without looking up, the singer takes the bottle out of Elena’s hand; she flips the cell phone lid back down when a large man enters the room. He moves closer to the singer. She grabs on to his arm.

SINGER
Is the situation taken care of?

MAN
I didn’t see him. We all checked.

SINGER
Okay. (Gets out of her chair) I’m ready.

CUT TO:

INT. - AUDITORIUM STAGE - MINUTES LATER

Sounds of hands clapping in rhythm help to get the concert started.

P. A. ANNOUNCER
Ladies and Gentlemen. Get your hands together for the number one singer, with the number one album, featuring the number one song in the country! Give it up for Autumn Summers!

The crowd gets on their feet to welcome to their pop star. Autumn comes out with a great smile and walks to the middle of the stage. She blows several kisses out to the audience and waves. Before Autumn grabs the microphone, someone leaps from audience and grabs her from her left side. Autumn looks terrified while the crowd screams uncontrollably. Concert security pulls the masked person off Autumn. She gets back on her feet, then quickly runs off the stage. A few close-up shots give attention to many faces in the audience who look stunned.

CUT TO:

INT. - BACKSTAGE - CONTINUOUS

Autumn runs toward her dressing room.

AUTUMN
Gabrielle! My coat! Elena! My purse! (She continues running with the large man in front of her)

CUT TO:

INT. - BACK EXIT OF AUDITORIUM - CONTINUOUS

Autumn and the man run straight to the limo. The chauffeur is jolted out of his sleep after hearing the back door of the auditorium slam shut. He runs to the back of the limo, opens the door to let Autumn and the man inside. Gabrielle and Elena are racing to get inside the limo. The chauffeur shuts the door, runs to the driver’s seat, starts the engine, and zooms away from the auditorium.

CUT TO:

INT. - BACKSEAT OF LIMO - CONTINUOUS

Gabrielle gives Autumn her coat. Elena gives her the purse, then Autumn turns to the large man.

AUTUMN
(Mocking him) We have it taken care of. You have it taken care of all right! That nut could have killed me! I didn’t hire bodyguards to help a nut grab me out of nowhere! I hired you guys to prevent it from happening!

BODYGUARD
I’m sorry, Miss Summers. He must have slipped through our fingers.

AUTUMN
Slipped through you’re fingers!? I thought the protection of Lou LaSalle had the thickest fingers in L.A!

GABRIELLE
(Worried)
Are you okay, Autumn?

ELENA
(Also worried)
Did you get hurt? Did you slip and fall?

AUTUMN
No. I’m okay, girls. It’ll take more than that lunatic to stop me.

GABRIELLE
But how do you know he’s involved?

AUTUMN
Because I know. I know how Scott operates.

ELENA
Yeah, she’s right, Gabby.

GABRIELLE
I don’t know.

AUTUMN
Well, I do and he did.

ELENA
We’re gonna need more bodyguards.

AUTUMN
Call LaSalle first thing in the morning.

BODYGUARD
You can’t.

AUTUMN
Why? Is he on vacation again? Does he have to go back to his east coast operations?

BODYGUARD
He’s closing up shop.

AUTUMN
He’s what?

BODYGUARD
He’s going out of business. Got bought by some other agency. What's the name again? (Snaps his fingers in hopes of remembering the name). . .

AUTUMN
(Sarcastically)
This is perfect! First Scott attacks me, then I have to cancel the show, and now I have no protection! (She slumps back on the back seat then turns to Elena) Don’t just sit there! Turn on the radio!

We see a hand reaching for the buttons. It presses one of the pre-selected radio stations, which has the digital read out of the station. Ashford and Simpson’s, “Solid (As A Rock)” begins to play.

INT. - INSIDE MERCEDES - THE NEXT MORNING

The same digital numbers are displayed, but the car stereo is slightly different. “Solid (As A Rock)” continues playing. Another camera angle shows David bopping his head to the tune. He starts to sing with the radio.

DAVID
(Singing)
You didn’t turn away, when the sky went gray
But somehow we manage, we had to stick to-gether.
Ooooh - oooh - ooooh - ooooh

He turns the car into the underground garage and parks it into the reserved parking space.

You didn’t bat an eye, when I made you cry

He gets out of the car, closes it with his hip, locks the door and presses the alarm button. It makes two short beeping noises to the beat of the song.

We knew down the line, we would make it - better

David goes to the elevator, gets in, and presses number 30.

Ooooh - oooh - ooooh - ooooh (The elevator doors close)

CUT TO:

INT. - MADDIE’S OFFICE - CONTINUOUS

She sits at her desk while working on her laptop. She sways to the same song on her stereo.

MADDIE
(Singing)
And for love’s sake, each mistake
Oww, you forgave
And soon both of us learned to trust
Not run away...

CUT TO:

INT. - BLUE MOON HALLWAY - CONTINUOUS

The elevator doors open. David slings his jacket over his right shoulder and starts walking out still singing.

DAVID
It was no time to play...

CUT TO:

INT. - MADDIE’S OFFICE - CONTINUOUS

MADDIE
We build it up...

CUT TO:

INT. - BLUE MOON HALLWAY - CONTINUOUS
David is still walking.

DAVID
And build it up...

CUT TO:

INT. - MADDIE’S OFFICE - CONTINUOUS

MADDIE
And build it up...

INT. - BLUE MOON OFFICE - CONTINUOUS

David bursts through the front door.

DAVID                                            MADDIE (Off Screen)
And now we’re solid!...                   And now we’re solid!...

David stops to see who else is singing. Agnes points to Maddie’s office.

MADDIE (Off Screen)
Solid as a rock!...

David puts his finger to his lips to all the employees so they won’t make a sound. He sneaks toward Maddie’s office as she continues singing.

MADDIE (Off Screen)
That’s what this love is
That’s what we’ve got
Solid...Solid as a rock
And No-thing’s changed it
The thrill is still...

David opens the door.

DAVID
Hot, hot, hot, hot, hot, hot, hot, hot!

MADDIE (Startled)
What, what, what, what, what, what, what, what!

DAVID
I heard you playing my song.

She gets up and walks over to turn off the stereo.

DAVID
And signing it too. (He closes door behind him.) Speaking of singing –

MADDIE
Please don’t.

DAVID
Me speaking?

MADDIE
You singing.

DAVID
Did you hear what happened last night?

MADDIE
How could I not? It has been all over the TV and the newspapers, if I have to listen to another radio update, I’m going to throw it out of the window.

DAVID
Fortunately, for the people below us, these windows don’t open.

MADDIE
Who says I need the windows open?

DAVID
The people who will climb into ambulances after the falling glass shatters their normal way of life, not to mention their normal paychecks.

They hear knocking on the door.

MADDIE
Come in.

Agnes opens the door and walks to Maddie’s desk.

AGNES
Here’s the final papers you and Mr. Addison have to sign, Miss Hayes.

MADDIE
Thanks, Agnes.

AGNES
Mr. Duncan will pick it up tomorrow.

MADDIE
Is that all, Agnes?

AGNES
Yes, Miss Hayes. I’ll see myself out.

DAVID
(In a silly note) Better to find the door with my dear.

Agnes walks out the door.

DAVID
Funny ain’t it?

MADDIE
No. The joke pretty dry.

DAVID
No this. (Holds up the papers Agnes brought in) Just fifteen short years ago, Lou LaSalle wanted to buy us out only to find us saving him from going under thirteen short years later. If we didn't have to waste two extra years in bankruptcy court, this would have been one of you’re typical overnight success stories.

There’s a huge commotion in the outer office. David goes over to the door and opens it. Maddie and David look at most of their work force begging the attention of a young woman wearing shades and a hat. Her attempts for disguising herself failed miserably.

DAVID
Looks like she may need my assistance.

David calmly walks to the outer office. He then stops short of joining the mob surrounding the woman.

DAVID
Okay, that’s enough . . . (No one is listening) I said that’s enough! (Still nobody listens) Yo! (He whistles)

Everyone stops in their tracks. As David moves closer to the woman, people move out of his way.

DAVID
You wouldn’t be looking for me, would you?

AUTUMN
I don’t know. Who are you?

DAVID
David Addison at your service. And I know I can service you better if you have a seat in my partner’s office.

David takes the woman’s hand and leads her to Maddie’s office.

AUTUMN
Not without my assistants.

DAVID
(Looking around the room)
And where would they be?

AUTUMN
(Snaps her fingers and they come forward)
Let’s go.

The three women walk past David and enter the office. He shakes his head and turns around to follow them.

MADDIE
David? Is she who I think she is?

DAVID
It depends on who I think you think she is.

AUTUMN
I think I need some aspirin.

ELENA
(Almost jumps out of her seat)
Autumn, do you want me to get some?

AUTUMN
No Elena. It’s okay. (Motions her hand to make Elena sit back down)

DAVID
Can you make her roll over?

MADDIE
I’m sorry, it’s just –

AUTUMN
I know. I get this kind of stuff all the time.

DAVID
Good. I was afraid you didn’t get any of that.

MADDIE
May I just ask if Autumn Summers is your real name?

AUTUMN
Incredible as it sounds, but it's true. Autumn Summers is my real name.

MADDIE
It does sound unique.

DAVID
It also sounds like your folks had their seasons mixed up.

AUTUMN
Does he say things like this all the time?

Maddie nods her head wearily.

AUTUMN
Oh, by the way, these are my assistants Gabrielle and Elena. (Both women wave their hands)

MADDIE
How can we help you, Miss Summers?

AUTUMN
I’m guessing you have heard what happened to me last night.

MADDIE
You guessed right.

AUTUMN
Needless to say, I need some protection.

MADDIE
Doesn’t a person of your stature already have protection?

AUTUMN
I did until today.

DAVID
What happened? Your security refused to bark on command?

AUTUMN
The company went out of business.

MADDIE
How awful.

DAVID
Yeah, I bet whoever the snake is who either bought them out, or drove them out, is slithering into their place as we speak.

AUTUMN
You can say that.

MADDIE
You wouldn’t happen to know who drove that poor company out of business, would you?

AUTUMN
Yes. . . . It was you.

DAVID
Listen, I gotta tell you, I only slither after hours and on weekends. . . . As for Maddie, she slithers great any time of the day.

MADDIE
I’m so sorry.

AUTUMN
No don’t be. Business is business.

MADDIE
No, I mean for you having to listen to him. (Looks at David. He gives Maddie a boyish smile.)

AUTUMN
I need protection from an old business partner of mine, Scott Edwards. You see, when I was starting to make it big, I was advised to set up some businesses on the side. You know, to help me when times get rough.

MADDIE
Then times got rougher than you imagined when you started to apply for bankruptcy.

AUTUMN
How did you know? I never told the press.

MADDIE
Honey, been there, done that.

AUTUMN
You were a singer?

MADDIE
A model.

AUTUMN
Oh yeah, I almost forgot how hectic a model's life can be. Well, not as hectic as traveling the globe days at a time, making pit stops to do one, even two shows a night.

DAVID
It’s rough being a pop icon with millions to burn and many hearts to break . . . not to mention whips to crack. (Looking at her assistants)

AUTUMN
Anyway, he’s after me because I shut down a previous business venture we were building.

MADDIE
Why?

AUTUMN
He was getting too much into my personal life. Trying to extend our friendship into a relationship. Scott wouldn’t take no for an answer.

DAVID
I hate those kind of guys.

AUTUMN
He’s also wants me to help him get out of debt. He blew the money he made into some ridiculous scheme his stockbroker begged Scott to invest in. He lost his shirt, the stockbroker wants his money and Scott’s stalking me.

MADDIE
We’ll put all our man power we can to get on this case.

DAVID
We would have included our woman power, but you already have that covered.

MADDIE
We’ll look into this stockbroker guy to see what he has on this stalker.

AUTUMN
Thank you . . . oh, here's the address.

She takes out a piece of paper and a pen from her purse and starts writing. She gives the paper to Maddie.

AUTUMN
Here's where you can locate him. I'm not too familiar with this person's name . . . or yours.

MADDIE
I’m Maddie Hayes.

AUTUMN
(Her face light up as she realizes who Maddie is) Wait a minute! I know you! You're the Blue Moon girl! My mother loved watching those commercials. You’re still one of her favorite models, next to Cindy Crawford, of course.

MADDIE
(To herself)
Of course.

DAVID
And I’m –

AUTUMN
You already told me. (Abruptly turns to her assistants) Let’s go girls.

The three women get up and walk out the door.

DAVID
People say musicians are hard of hearing.

David and Maddie follow Autumn out to the outer office. The employees prepare to run over to Autumn again, but David sticks his hand out to stop them. Autumn continues to lead her assistants to the front door.

DAVID
Whoa, whoa, slow down, Autumn. (She’s visibly irritated by David) We can’t let you out of our humble home away from home without your chest protectors . . . (Cups his hands and turns to the other detective offices to his left) O’Neil! . . . Simmons! (They come out of their offices. David waves them over to where his is standing) I’m assigning you two to protect Miss Summers with your lives. You are to be with her at all times. Everywhere she goes, you go, understand? (They both nod their heads) Even if you have to take a shower with her, it’s all in the name of guarding her body. (He looks over at Autumn and she is not amused) (Casual tone) Autumn baby, it’s called a joke.

AUTUMN
I only recognize jokes when they're funny.

DAVID
(Looks at Maddie and Autumn)
Are you sure you two are not long lost cousins. (It’s Maddie’s turn to look upset)

AUTUMN
(To O’Neil and Simmons)
Let’s get out of here.

O’Neil walks in front of Autumn and Simmons walks behind her. The assistants walk behind all of them. O’Neil reaches to open the door.

DAVID
Hey, be careful boys. Don’t let her wear you out.

O’Neil and Simmons have smiles on their faces. Autumn gets angry and slams the door. When David looks over to Maddie, she’s already at her office door and she slams it just as hard as Autunm did. David looks around to everyone who is watching him.

DAVID
Is it something I said?

CUT TO:

INT. - INSIDE MERCEDES - LATE MORNING

Maddie is driving. She hasn't spoken to David since they got into the car.

DAVID
Would you mind telling me what's on your mind? . . . (Maddie doesn't answer) Tell you what . . . I'll make it easy for you. Tell me why you're so upset and I'll tell you why you shouldn't be . . . (She still doesn't answer him) All right, if you don't wanna talk, fine. That's just fine . . . you can just nod your head when the feeling grabs you, if I don't grab you first . . . (Maddie slowly turns to David and glares. She then turns back straight away) Okay, fine. If you didn't wanna talk, all you had to do was say so.

CUT TO:

INT. - HALLWAY/ STOCKBROKER’S OFFICE - MINUTES LATER

Maddie walks ahead of David to find the room number of the office. She is also trying to get away from David.

DAVID
Can you at least give me a clue? It doesn't have to be a big one. It only has to tell me why you feel this need to give me the cold shoulder. (She still ignores him) Will you say something!?

They stand in front of the stockbroker’s office.

MADDIE
We're here.

DAVID
That's the sound I like to hear.

MADDIE
Just open the door.

DAVID
There it is again!

David opens the door. It takes the stockbroker by surprise.

STOCKBROKER
(Looks confused) Can I . . . help you?

DAVID
Hi. We wanna know if you can help us find a Scott Edwards.

The stockbroker instinctively runs to his open window then jumps. Maddie and David run after him.

MADDIE
What is wrong with him!? Doesn’t he know we’re on the 10th Floor?

DAVID
I don’t know. Maybe it’s the simple fact that he’s crazy? Off his rocker?

MADDIE
Crazy like a fox.

David looks out of the window to see what Maddie is talking about. There is a lot of love seats and sofas laying out on the balcony below them. The stockbroker is trying to scurry off of the sofas to the fire escape. David prepares to jump, but Maddie grabs him.

MADDIE
What are you doing?

DAVID
Getting some fresh air. What does it look like I’m doing?

MADDIE
David I forbid you to jump out of this window.

DAVID
Oh, you forbid me now. What if I don’t obey, Mom? Are you gonna take away my phone privileges? Cut off my allowance? Make me eat broccoli?

Maddie holds him around his waist to prevent him from jumping.

MADDIE
You are not jumping!

DAVID
You’re right I'm not jumping . . . but we are!

David takes her with him as they tumble out of the window. Maddie screams until they land safely. They are very wet when they get up from the soft furniture. David looks into the office, which the furniture came from, to see the remnants of a recent flood.

DAVID
You vowed better or worse. What could be worse than taking a bath with our clothes on?

Maddie looks down and sees the stockbroker climbing down the fire escape.

MADDIE
Letting him get away while we waste time?

David leads the way as he runs over and starts climbing down the fire escape. Maddie follows.

CUT TO:

EXT. - BACK ALLEY OF BUILDING - MINUTES LATER

The stockbroker jumps down the fire escape, stumbles, looks up and sees David and Maddie still in pursuit. He gets up and runs. He tries to climb up the concrete wall, but fails to do so. He instead finds a space for him to hide.

CUT TO:

David jumps off the fire escape and waits for Maddie. He holds her around her waist and eases her feet to the ground.

MADDIE
Where did he go?

DAVID
Wherever he went, he couldn’t have gone far.

CUT TO:

The stockbroker is getting scared when he hears footsteps getting closer. He’s feeling around to try and get something to protect himself, but doesn’t find anything.

CUT TO:

David and Maddie’s point-of-view is shown as they walk closer to the guy’s hiding place.

VOICE (Off Screen)
Don’t move!

Maddie and David turns around to see a police officer with his gun drawn. They both slowly put their hands up.

OFFICER
Maam, it’s all right. You can put your hands down. We came just in time.

MADDIE
(Confused)
For what?

OFFICER
For what? For preventing this piece of trash from harming you. We heard the commotion.

The officer advances on David and takes out his handcuffs.

MADDIE
Wait a second. He’s not attacking me. He’s my husband.

OFFICER
Your husband?

DAVID
Yeah, her husband. You know, the guy who says “I do” to the virgin in white . . . however in my case –

MADDIE
(Stopping him)
David.

OFFICER
So, what are you doing here?

MADDIE
(Gets nervous)
Doing here?

OFFICER
Doing here.

DAVID
We’re here to try to find a man.

OFFICER
A man?

MADDIE
Yes, a man. He took something which belongs to us.

In a split second, Maddie sees the stockbroker trying to inch his way out of the alley.

MADDIE
There he is!

The guy pushes David out of the way. Without thinking, Maddie starts running after the guy and knocks David in the other direction. The way Maddie pushed him, David's momentum knocks his head into a brick wall. The force of the blow knocks him out immediately. The officer follows Maddie to help get the guy and didn’t notice David getting knocked out. The camera focuses on David’s unconscious face slumping to the ground. Seconds later, Maddie runs back in the alley.

MADDIE
David! We got him! The cop is putting handcuffs on him as we speak . . . David? . . . David, if I find you hiding somewhere I swear I’ll – (She looks down to see her husband lying unconscious) David? . . . (Kneels to the ground and touches the side of his face) David . . .

DISSOLVE TO:

INT. - DAVID’S HOSPITAL ROOM - THE NEXT MORNING

MADDIE
(Carefully looks at him)
David . . . sweetie. Did you get some sleep?

DAVID
Yeah, but it wasn’t a lot of fun though.

MADDIE
How so?

DAVID
I didn’t get to warm your feet under the covers.

MADDIE (Voice Over)
Getting them ice cold, you mean.

DAVID
They can’t be that cold.

MADDIE
What are you talking about? (She’s feeling his head) Are you sure you’re all right?

DAVID
(Takes Maddie’s hand off his forehead)
Maddie, I hate to break it to you, but there are a lot of women dressed in white who has beaten you to it .

MADDIE (Voice Over)
Obviously not enough.

DAVID
What is your problem?

MADDIE
There’s something weird going on, but I can’t put my finger on it.

DAVID
Considering where we are, it kinda makes sense.

MADDIE
No, this doesn’t make sense. How can you respond to something I never said?

DAVID
Didn’t you say you can’t put your finger on something?

MADDIE
Never mind. It must be all in my head.

A nurse comes in with a wheelchair.

NURSE
Okay, Mr. Addison. Would you sit in the chair, please?

DAVID
I never can understand why this has to be standard procedure. (Gets in the chair)

MADDIE (Voice Over)
I’m beginning not to understand a lot of things.

DAVID
Why don’t you sit in my lap and I’ll help you figure it out.

MADDIE
Figure what out? C’mon, let’s go.

DAVID
(Gets out of the wheelchair)
Oh wait. I forgot my bag. Thanks for coming back and bringing this for me last night, Maddie. It really kept me company.

He goes to the bed and he bends over to reach for it.

MADDIE (Voice Over)
His butt always did look good in those pants.

DAVID
(Walks back and sits in the wheelchair)
I’ll try to remember to wear these more often.

MADDIE
(Looks baffled)
Huh?

DAVID
Maddie, baby, cheer up. I’ll be out of this chair fast enough for you not to miss the view. No ifs, and, or butts about it.

MADDIE
I need to freshen up. (Goes straight to the bathroom)

DAVID
What’s her problem? (Leans his head closer to the nurse) Between you and me, she's the one who needed the overnight visit with you guys. (Gets out of the wheelchair)

NURSE
If you say so, Mr. Addison.

DAVID
Listen, me and the missus will meet you in front of the check out line. Apparently, she’s missing a few groceries in her basket. (He points to his head.)

NURSE
Now that you’ve mentioned it, she does seem kinda out of it. (Laughs to herself) She acts as if you knew exactly what she was thinking . . . I’ll be right back. (She continues chuckling as she leaves the room)

DAVID
What? (Slowing realizes what the nurse said) Then what she said . . . she didn’t . . . but I was still able to . . .

He touches the bandage on his head and winces a little from the pain. He then looks over to the bathroom, then looks at the camera.

DAVID
This is gonna be good. (Looks back towards the bathroom)

FADE OUT

END OF ACT ONE

- 4MIN. COMMERCIAL BREAK -

ACT TWO

FADE IN:

INT. - INSIDE MERCEDES - LATE MORNING

Maddie drives.

DAVID
So, where are we going?

MADDIE
To the Police Station.

DAVID
The police Station?

MADDIE
We're paying our little stockbroker friend a visit.

DAVID
Really? Did I know this before I sat in the car?

MADDIE
You did, but you were asleep at the time. It’s no big deal.
(Voice over) He's acting weirder than he normally is today. I wonder if taking him along is a good idea.

DAVID
You think I’m out of my mind, don’t you?

MADDIE (Voice Over)
When were you ever in it?

DAVID
Hey, I heard that.

MADDIE
Heard what?

DAVID
Heard that . . . if I don’t eat my most important meal pretty soon, I’m gonna be sluggish for the rest of the day.

MADDIE
The nurse didn’t give you your breakfast?

DAVID
Yeah, but it’s in a hospital. Taste buds are known to die an untimely death.

MADDIE (Voice Over)
I wish this conversation could follow in its footsteps.

DAVID
Fine.

MADDIE (Voice Over)
Fine.

DAVID
Good.

MADDIE (Voice Over)
Good.

DAVID
Let’s not talk anymore.

MADDIE (Voice Over)
My thought exactly.

CUT TO:

INT. - POLICE INTERROGATION ROOM - MINUTES LATER

DAVID
Would you mind telling us about it?

STOCKBROKER
It depends on what you wanna know.

MADDIE (Voice Over)
For starters, what’s your name?

DAVID
For starters, what’s your name?

Maddie has a strange look on her face.

STOCKBROKER
You don’t know my name?

MADDIE
Were we supposed to?

STOCKBROKER
Are you who I think you are?

DAVID
It depends on who I think you think we are.

MADDIE (Voice Over)
Not this again.

DAVID
(To Maddie)
Sorry, I couldn’t resist.

MADDIE
Sorry about what?

The stockbroker looks at them like they are crazy.

STOCKBROKER
You two are not from Haskell and Thorton Limited?

MADDIE
No. We’re private detectives.

STOCKBROKER
(Breathes a huge sigh of relief)
Then why were you asking for Scott Edwards?

DAVID
He’s been stalking our client. You know the one I’m talking about. She has an album and a single shooting up the top of the charts without a padded bra.

MADDIE
Without a what?

DAVID
(To Maddie)
You didn’t hear that.

STOCKBROKER
I thought it was a sure thing. I investigated the company myself. How did I know it was gonna go down the toilet?

MADDIE
Can you tell us where we can locate Scott?

DAVID
What a minute? He didn’t tell us his name yet, Maddie. First things first.

STOCKBROKER
My name is George Milner.

DAVID
Hey George, I’m David Addison.

MADDIE
I’m Maddie Hayes.

GEORGE
Nice to meet you.

Maddie shakes George’s hand David follows. David then turns to Maddie and shakes her hand. She yanks it when she realizes what she is doing.

DAVID
(To George)
Some people are too hard to satisfy.

MADDIE
Can we get back to where we can locate Scott Edwards?

GEORGE
Oh, yeah. He’s owns a local coffee house a few blocks from my office. It’s only thing keeping him out of the poor house . . . well, when he finishes paying his debts, then he’ll be in the poor house.

DAVID
(To Maddie)
Sound familiar?

CUT TO:

INT. - MADDIE’S OFFICE - AFTERNOON

DAVID
So, when is Duncan coming? If I knew we had to wait this long, I would have brought my pajamas.

They hear a knock on the door. David walks over, opens it and sees a good looking 20 something year old man walk in the room.

DAVID
Hey, Maddie . . . (looks around and outside the door) Where’s Duncan?

RYAN
He had an emergency case. It couldn’t wait.

DAVID
At least he has a good excuse. Hey, Ryan.

RYAN
Hey, Mr. Addison.

DAVID
It’s nice of you to come out of the bullpin. Believe me, this is more of a relief for us than it is for you. Where do I sign?

MADDIE
What’s the rush, David? Why don’t you take a look at the documents?

DAVID
Isn’t it why we hired a lawyer in the first place?

RYAN
Well, you should take a look just to make sure there isn’t any mistakes.

David grabs the multi-paged document off Maddie’s desk. He flips through some pages and throws the contract back on the desk.

DAVID
Time’s up. Where’s the pen?

MADDIE
Will be serious for a moment?

DAVID
All right. Let me see this.

He picks up the contract and sits in the chair opposite Maddie. He’s holding up the contract at eye level. As he checks the papers, Maddie and Ryan are waiting patiently.

MADDIE (Voice Over)
I hope this doesn’t take long. There’s a movie I want to see in six hours.

DAVID
Okay, I’m ready to sign . . . (Gets a little annoyed with Maddie's impatience. He mutters to himself) First you want me to read the thing, then . . .

MADDIE
What was that, David?

DAVID
Nothin' . . . it was nothin'.

He grabs a pen, waves it around in a fancy motion, then lets his left hand scribble his name in four different pages.

DAVID (To Maddie)
Did it feel good to you as it did for me? (To Ryan) You can check my x’s and o’s if you wanna. (He gives the contract to Ryan) Now if you two will excuse me, I have to go to the john.

CUT TO:

INT. - MADDIE’S BATHROOM - MINUTES LATER

David is washing his hands in the sink. He shuts the water off and reaches for a washcloth.

MADDIE (Voice Over)
I wonder what type of underwear he prefers? Boxers? . . . briefs? . . . or thongs?

This stops David in his tracks.

MADDIE (Voice Over)
If I was twenty . . . hell, if I was ten years younger, I would be asking him for his phone number.

He clearly senses Maddie isn’t directing her private thoughts to him. He walks out of the bathroom and sees Maddie and Ryan share a laugh. They are very friendly with each other. David has seen this display many times during the past year, but now he’s beginning to look at it in a different way. Despite his urge to confront Maddie on what he heard, he decides to keep it to himself.

DAVID
So, what joke did I miss?

MADDIE
David, I didn’t know you were still here.

DAVID
Disappointed?

MADDIE
Huh? Why would I be?
(Voice Over) I wonder what Ryan looks like with his shirt off?

DAVID
(Goes to the door)
Don’t let me spoil your fun.

MADDIE
David, what’s going on with you?

DAVID
Funny, I was thinking the same about you.

David storms out of the door while Maddie is left looking dumfounded. He continues to go to his office, until he sees O’Neil come in through the front door.

DAVID
O’Neil, what the hell are you doing here? When I said twenty four hours I wasn’t referring to the length of the assignment.

O’NEIL
I’m sorry, Mr. Addison, but I had to leave.

DAVID
Autumn’s that unbearable, huh?

O’NEIL
No, that’s not it. I couldn’t reschedule my doctor’s appointment.

DAVID
Then what are you doing here?.

O’NEIL
I have to get some stuff out of my office first before I go to my appointment. But don’t worry, sir. Simmons is still there.

DAVID
She specifically wanted more than one flatfoot. (Cups his hands) Yo, Bert! . . . Bert! . . . (To Agnes) Where’s your shorter half?

AGNES
He went to take his physical about an hour ago.

DAVID
What is this? National “check in to see my doctor” Day?

AGNES
I believe that’s next week.

David gives her a strange look. He turns to O’Neil and pats him on the shoulder.

DAVID
Go on. Get lost. (O’Neil goes into his office) Guess it’s my turn to get on the pitcher's mound. (Proceeds to leave)

AGNES
Want me to tell Miss Hayes?

David looks over to her office.

DAVID
I doubt she'll notice I’m gone. (Walks out the door.)

CUT TO:

INT. - AUTUMN’S FOYER/ LIVING ROOM - AFTERNOON

Autumn is at her piano practicing the scales to warm up her vocal chords. She’s disrupted by the doorbell. She gets upset and storms to the door. She then swings it open.

AUTUMN
(Snaps)
What?

DAVID
Hi. I’m from the Boy Scouts. I was wondering if you want to buy our cookies.

AUTUMN
Isn’t the Girl Scouts the ones who sell cookies?

DAVID
If I’d had said that, you wouldn’t have believed me.

AUTUMN
I thought you said you'd provide me with protection. I have one bodyguard wondering upstairs. Do you call that protection?

DAVID
I’m not here to ask for your autograph.

She motions her hand around impatiently to let him in.

DAVID
Your cordial invitation underwhelms me . . . (Looks around) Where’s Simmons?

AUTUMN
Like I said, he’s patrolling the grounds upstairs. He’s keeping my girls company (They sit on the sofa)

DAVID
Your girls, huh? I’m surprised you remember they are human.

AUTUMN
Look, I may demand more of them than most people, but if I hadn’t demanded more of myself, I wouldn’t be at the position I am at today.

DAVID
You don’t have to beat them down to the ground to do it. I mean, Maddie and I are now responsible for feeding a few hundred families every two weeks. We also have an eight and a ten year old we devote our lives to. If we treat ‘em like you treat your girls, they’d be out the front door and never look back.

AUTUMN
What’s wrong with a little discipline?

DAVID
Discipline? I have nothing wrong with a little discipline . . . at least in this part of my life. Now slavery, that’s something I’m not too happy with.

AUTUMN
Slavery?

DAVID
You know, people who are forced to carry out orders against their will.

AUTUMN
They’re also people who are not paid. Those girls are paid handsomely.

DAVID
So why do they sport ugly looks on their faces?

AUTUMN
I need to listen to some music.

She gets up from the sofa, walks over and turns on the stereo. William Devon's "Be Thankful for What You've Got," plays in the background.

DAVID
(Singing)
...Against the white walls
TV antenna in the back
You may not have...a car at all
But remember brothers and sisters
You can still stand tall
Just be thankful...for what you’ve got

Diamond in the back
Sunroof top
Diggin’ the scene
With a gangstalean
Oooh - oooooooh...

DAVID                                            AUTUMN
(Singing)                                           (Singing)
Diamond in the back                        Diamond in the back
Sunroof top                                      Sunroof top
Diggin’ the scene                              Diggin’ the scene
With a gangstalean                           With a gangstalean
Oooh - oooooooh                             Oooh - oooooooh

David turns to see Autumn sit back on the sofa.

DAVID
What do you know about this stuff?

AUTUMN
I love old school R&B. You know, Percy Sledge, Harold Melvin and the Blue Notes . . .

DAVID                                            AUTUMN
“The Sounds of Philadelphia.”           “The Sounds of Philadelphia.”

AUTUMN
I grew up listening to it back in Philly.

DAVID
You’re from Philly?. . . Really?

AUTUMN
Yeah, originally. My parents divorced when I was fourteen. My mother decided she needed to drench her sorrows in the Southern California sun. Which part are you from?

DAVID
Fourth and Bainbridge.

AUTUMN
South Philly? I used to have a boyfriend who lived around there. (Sighs) I don’t know why I do this. Believe me, I’m not a bitch on purpose.

DAVID
Believe me, I’m an expert. So, I can tell the difference.

AUTUMN
I’m so used to people giving me what I want, when I want it. I just got a little irritated when you didn’t follow suit.

DAVID
I usually don’t follow suits. I either wear or defend against them.

AUTUMN
I do apologize.

DAVID
And I do accept. As for your music . . . Dentists must love you.

AUTUMN
What for?

DAVID
Three out of four of your chartbusters are causing major cavities.

AUTUMN
Unfortunately, that’s what is selling right now. But I was thinking of changing my tune to a more soulful sound. What do you think?

DAVID
I think you should follow your heart. Be thankful you’re in a position to do just that.

AUTUMN
I don’t want to alienate my fans.

DAVID
Who said you had to do a 180? You can do a 90 . . . maybe even an acute angle will suffice.

AUTUMN
Speaking of acute angles, turn this way. (David turns to face Autumn) Now that’s a cute angle.

DAVID
Ummm . . . What just happened here?

AUTUMN
Nothing. You haven't kissed me yet.

DAVID
(Looks very uneasy)
Let’s not go there, okay?

AUTUMN
I don’t know. It’s just . . . you’re not like any guy I’ve ever met.

DAVID
Maybe it’s because I’m twice your age.

AUTUMN
Age ain’t nothing but a number.

DAVID
Well, this is a number you should stay away from.

AUTUMN
What is the big deal? So, you’re middle aged.

DAVID
And married.

AUTUMN
Do you see a ring on my finger?

DAVID
No, but I see one on mine.

AUTUMN
Really? Let me see.

She advances on David’s left hand, but a loud scream made David jump into action. He heads for the stairs.

CUT TO:

David runs through the upstairs hallway and sees Gabrielle.

DAVID
Did you see anything?

GABRIELLE
No, but I heard some noises coming from Autumn’s bedroom. (She points to the third door on the left)

David runs over to his destination. He rushes in to see a pant leg going out of the window. He pushes the door open wider to see Simmons.

DAVID
Simmons, did you see him?

SIMMONS
The only thing I saw was a man running to the window.

DAVID
Did you see his face?

SIMMONS
Yeah, but I’d have to take off his mask to tell you what he looked like.

DAVID
(Frustrated)
This is great!

AUTUMN
(Gets excited)
You caught him!?

DAVID
Going outside the window. Yeah. (To Gabrielle) It’s okay, you can go back to whatever you were doing.

AUTUMN
Yeah, Gabrielle. It’s okay. Where’s Elena?

GABRIELLE
She went to get your dry cleaning, remember?

AUTUMN
Oh, yeah. I must have something on my mind. (Looks at David)

DAVID
Excuse me, ladies. I need to use my cell for a moment.

He walks to a quiet part of the hallway then dials the phone number.

DAVID
Hey, O’Neil. I need you to get back here pronto . . . next time you need a check up, get an M.D. who makes house calls. (Hangs up the phone)

DISSOLVE TO:

INT. - DAVID AND MADDIE’S FOYER - LATE NIGHT

A dark and empty foyer. Sounds of a key wrestling through the lock. David quietly walks through the door. He’s trying not to wake up anybody in the house, especially Maddie. He carefully walks toward the stairs. He takes two steps.

MADDIE (Off Screen)
(Seething under her breath)
Where the hell have you been?

DAVID
O’Neil had to go to a doctor’s appointment. I was filling in on bodyguard duty.

MADDIE
All night?

DAVID
This ain’t the usual nine to five gig, you know that. This is 24-hour duty meaning all hours of the day.

MADDIE (Voice Over)
And night.

DAVID
If you’re trying to say there's something is going on with Autumn and I, it’s not. Nothing’s happening. Just like nothing’s happening with you and Ryan.

MADDIE
Me and Ryan? Please tell me where and how you were able to piece that together? Using your usual brand of logic no doubt.

DAVID
I didn’t have to come up with anything. You provided all the information I needed to know.

MADDIE (Voice Over)
I was wondering when his drunkness would come back and pay me a visit.

DAVID
I saw you in there. In your office with wonderboy.

MADDIE
I was being friendly.

DAVID
That’s what you’re calling it, now? I call it flirting.

MADDIE (Voice Over)
Unlike what you did with Autumn, of course.

DAVID
Of course, Autumn means nothing to me. I was out on business, Maddie. Business. My bright eyed and sober explanation consists of protecting the life of our client. It fills the definition quietly nicely, don’t you think?

MADDIE
So, you're telling me you didn't find Autumn attractive whatsoever?

DAVID
Well, it’s hard not to notice, Maddie. But I found something more important to obsess about. My wedding ring. The same ring you put on my finger when we swapped vows at the alter. If you haven’t noticed, I never took it off. Not even when I washed my hands, taken a dip in the pool. In fact, it’s the only thing I wear when we make love and when we take a shower. And you know why? Because it reminds me of how much I love you, how much I cherish you. I’d walk through fire if you wanted me to. That’s why you will never see me without this ring (Points to the ring). Comprendé?

MADDIE (softening)
You could have called.

DAVID
Yes, I know, but there were a lot of things going on.

MADDIE
For instance?

DAVID
For instance, someone broke into Autumn’s bedroom.

MADDIE
Were you able catch the person?

DAVID
I only saw someone climbing out of the window. Simmons was chasing after whoever it was.

MADDIE
Will he be able to identify him?

DAVID
No but, whoever this person is gave us a souvenir. (He takes out a plastic bag with a small flashlight in it and gives it to Maddie) I’m gonna take this to the lab first thing.

MADDIE
Well, on my side of things, Jamie and I visited Scott Edwards in his coffee shop.

DAVID
Yeah? What happened?

MADDIE
He claimed he wasn’t in the auditorium and he would never do anything to hurt Autumn. Just to be sure, Jamie’s gonna follow him tomorrow.

ASHLEY (Off screen)
Do you guys mind keeping it down?

David and Maddie look up their spiral staircase to see their daughter rubbing her eyes with both hands.

ASHLEY
Some of us have to get up early in the morning.

DAVID
Oh yeah?

He starts running up the stairs and Ashley starts running back to her room. Maddie gets up and laughs to herself as she slowly walks up the stairs.

DISSOLVE TO:

INT. - CONFERENCE ROOM - NEXT MORNING

Many of the employees of Blue Moon are either standing or sitting in anticipation of a meeting Maddie emailed an hour earlier. The room is full of chatter. A few seconds pass then the buzz subsides as Maddie and David enter the room.

DAVID
Is everyone here? . . . Bert?

BERT
Yes, sir?

DAVID
I wanted to see if I can still see you. Agnes? . . . Where’s Agnes?

AGNES
I’m here, Mr. Addison. (Walks into the room) I was on the phone with one of Autumn’s assistants. She wanted to know how the investigation is going.

DAVID
(Turns to Maddie) Wanna break it to ‘em?

MADDIE
Sure. There’s nothing more I like to do than to break pressing news, especially this kind of news –

DAVID
The cat didn’t come out of your bag, did it Agnes?

AGNES
Uh-uh, Mr. Addison. It’s hard for a cat to come out of anything since I don’t own one.

MADDIE
Are we finished?

Agnes and David nods. He adds a strange look to Agnes as he nods.

MADDIE
(Looking around the room)
Wait, we’re missing somebody (Looks to the door) Oh, there you are.

RYAN
I’m sorry, Maddie. I was caught on the freeway.

DAVID
You two are on a first name basis, I see.

MADDIE (Voice Over)
Stuff it, Addison!

DAVID
Well, I am a bit famished.

He leans over to get some danish off the coffee table.

MADDIE
As I was saying, Mr. Addison and I . . . with the help of Mr. Duncan and Ryan of course . . .

DAVID
(To himself)
Of course.

MADDIE
Lou LaSalle Investigations, Security and Armored Cars are no more. As of nine o’clock on this very day, they are all part of Blue Moon.

The shock and surprise turns into cheers of excitement and triumph. A few seconds later, the employees start to murmur and have worried looks on their faces.

DAVID
Whoa, whoa, whoa, what’s the matter, kids? This is supposed to be good news.

KRISTINE
Good for who?

INEZ
Yeah.

All the other employees mutter the same sentiments.

DAVID
Wait a second. What’s up with the bad vibes?

JAMIE
Mr. Addison, mergers usually mean we're getting downsized.

DAVID
Downsized? Did you hear Miss Hayes say anything about anyone getting downsized? I didn’t hear anything about that at all. The subject never entered our minds, and it never will. (He looks over to Maddie)

KRISTINE
Are you sure, Mr. Addison?

DAVID
Do pinkies swear? . . . (Looks over to Maddie and Ryan) Do cradles get robbed?

The employees are cheering again as they all hug each other.

DAVID
(Looks at employees)
Now, that’s what I wanna see. (Looks at Ryan and Maddie leave the room) (To himself) Now, that’s what I don’t wanna see.

He moves over to the door to follow them, but he meets up with happy employees hugging him along the way. He manages to reach the door.

JAMIE
Mr. Addison. (He looks distracted as he turns around) I hate to cut this celebration short, but I have to go and see what I can dig up on Scott Edwards.

DAVID
Oh, yeah, no problem. I’ll save you the last piece of cake in the fridge.

Jamie smiles at her boss then leaves the room. He gets ready to leave until –

BERT
Boss.

DAVID
(Breathes a heavy sigh)
Is there a silent alarm keeping me in this room?

BERT
I don’t believe so. I can install such a system for you if you like.

DAVID
(Puts his hand to his forehead in frustration)
What do you want?

BERT
How come I’m not on this case?

DAVID
What case?

BERT
This case. The Autumn Summers case. I’m well equipped to follow whoever Jamie is following. In fact, I’m better equipped to handle such an operation. You taught me everything I know. You made me who I am today –

DAVID
I asked for you.

BERT
You asked for me?

DAVID
I asked for you, but you weren’t here. You were at your doctor’s office.

BERT
Damn!

DAVID
Bert, bert don’t worry. I got something else for you to do.

BERT
(Gets excited)
Just name it, sir.

DAVID
I took the flashlight into the lab this morning. The set of prints that were discovered were very interesting . . . not as interesting than the last Tom Cruise movie, but we’ll have to deal with what we have.

BERT
(Trying to follow David’s comment)
Okay.

DAVID
Go to this address. (Hands Bert a piece of paper) and to this room number. Ask for a George Milner. Make believe you want him to be your new stockbroker. Find a way to get him out of the office so you can case the joint. You got it?

BERT
Roger!

DAVID
No, his name is George.

BERT
No I mean . . . never mind. I’m on my way. (Bert leaves the room)

DAVID
Now, back to my covert operation.

He passes a few euphoric employees who are still celebrating. He gives them a smile and a thumbs up then continues to go toward Maddie’s office. He gets a few feet from her door.

MADDIE (Voice Over, Off Screen)
What am I doing in here? I should be celebrating with David.

DAVID
It’s the first sensible thing I heard you say. (To Camera) This sure beats putting my ear to her door.

MADDIE (Voice Over, Off Screen)
He’s so cute . . . And the way he bends over –

DAVID
Okay, I’ve heard enough. (Barges through the door) So there you are. I was worried you two were stampeded by a horde of people having a good time.

MADDIE
Ryan was pointing out some of the finer details of the merger.

RYAN
Yeah, we’re just double, triple checking to see if all the information is correct.

DAVID
So am I.

MADDIE
Is the party over?

DAVID
Are you kidding? They’ll last all night if we let them.

RYAN
Does anyone have the time?

DAVID
It’s . . .

He checks his Rolex on his left wrist and notices that something is missing.

MADDIE
It’s what, David?

DAVID
(Heads for the door)
It’s a quarter passed ten.

MADDIE
Where are you going?

DAVID
There’s something I have to do.

MADDIE (Voice Over)
Running off to save your diva in distress?

DAVID
This doesn’t have anything to do with . . . (Stops himself) I’ll be back as soon as I can. (He closes the door behind him)

CUT TO:

INT. - DAVID AND MADDIE’S HOUSE - MINUTES LATER

The Delfonics song, “Ready or Not,” creeps up as he hurries himself through the front door and starts his search for the missing item. He goes straight to the living room. He checks all of the coffee tables, tosses the pillows off the sofas, then checks under the sofas.

CUT TO:

INT. - DAVID AND MADDIE’S WALK-IN CLOSET/ BATHROOM - CONTINUOUS

David looks through all the drawers in Maddie’s make-up counter. He then goes into the bathroom and looks in there.

CUT TO:

INT. - BEDROOM - CONTINUOUS

He emerges out from under the bed and goes over to the drawers. He looks in every single drawer.

CUT TO:

INT. - KITCHEN - CONTINUOUS

David looks in the refrigerator, then looks all around the kitchen counters, the island. He then checks the sink He searches every place he can think of. He stops, looks up at the ceiling in frustration and takes a deep sigh.

CUT TO:

EXT. - FRONT DOOR OF HOUSE - MINUTES LATER

David rings the bell and waits. The door opens from David's point-of-view. Autumn appears.

DAVID
I may have left my wedding ring.


FADE OUT.

END OF ACT TWO.

- 2 MIN. COMMERCIAL BREAK -

FADE IN:

HALFWAY BUMPER (2):
A still image of the title is shown. An abbreviated version of the theme is used. Maddie and David’s voices are in voice over.

MADDIE
(Clears her throat)
David, were back.

DAVID
Already? But I wasn’t finished.

MADDIE
You’ll have to start earlier next time.

FADE OUT:

ACT THREE

FADE IN:

INT. - MADDIE’S OFFICE - CONTINUOUS

Agnes walks into the office.

AGNES
Here’s the file you asked for, Miss Hayes.

MADDIE
Thank you, Agnes.

AGNES
Oh, and Ryan said he'll be here in a few minutes.

MADDIE
Thanks. (Agnes turns to leave) Agnes? (She turns back around to face Maddie) Should I be thinking like this? I mean, should I cloud my thoughts about another man? This is the “this” we always complain to men when they do this.

AGNES
The "this" you're referring to is Ryan, right?

MADDIE
How did you –

AGNES
I've been having similar thoughts myself. I bet Mr. Addison doesn’t worry about doing "this." I bet he has already done “this” to Autumn.

MADDIE
That’s the "this" I’m worried about. (Agnes looks at her) Okay, it may sound hypocritical and you know what? I don’t care if it is. What we’re doing is fantasy, it’s harmless.

AGNES
And Mr. Addison?

MADDIE
Nothing is harmless with Mr. Addison.

AGNES
What would he say if he knew?

MADDIE
About this? About me lusting after another man? A young man? . . . Even if my thoughts are just thoughts and will never be something I want or care to pursue? . . . I don’t know. But I do know he's not going to dance and sing about it. Why is it when men do it they’re supposed to, but when we do it it’s like we’ve commented adultery? We should be allowed to have our minds wander if we want to.

AGNES
You know what sounds crazy?

MADDIE
I have I feeling I know what you’re gonna say.

AGNES
You think Mr. Addison is going after Autumn, don't you? (Maddie nods) Miss Hayes, I thought you knew.

MADDIE
What was I supposed to know?

AGNES
It’s not what Mr. Addison sees or even what he says, it’s almost always what he does that counts the most.

MADDIE
How are you able to be so observant, Agnes?

AGNES
There’s not a lot of work for me to think about anything else . . . other than figuring out what rhymes with abbreviation.

MADDIE
Appreciation.

AGNES
It’s an interesting combination.

MADDIE
I think I need some isolation.

AGNES
I’m also observant enough to know one more thing . . . (Walks over to the door) Be happy Mr. Addison doesn’t read minds. (Agnes leaves)

CUT TO:

INT. - AUTUMN’S LIVING ROOM - A FEW HOURS LATER

Autumn and David continue to search all around the living room.

DAVID
You see it?

AUTUMN
No, not yet.

DAVID
What about you, O'Neil!?

O'Neil emerges from the closet.

O'NEIL
Not yet, sir.

DAVID
Check the kitchen. I think I made myself a ham and cheese sandwich in there.

O'Neil leaves. David moves over to the mantle over the fireplace. Autumn moves over to one of the sofas.

DAVID
I don’t know how it could have slipped off. I never let 14 carats of anything out of my sight. Especially those carats. Where the hell could it be? (He checks a small vase and turns it upside down)

AUTUMN
(Her arm is under the sofa)
Maybe it’ll turn up when you least . . . (She feels something then pulls it out. It’s a gold ring.) (Mumbles to herself) expect it.

DAVID
When you’re married to someone like Maddie Hayes, you always have to be on your toes. Sniffing out trouble is part of her pedigree.

AUTUMN
C’mon she can’t be that bad. (She looks to see if he’s looking, then hides the ring in her pants pocket)

DAVID
I’m not saying she is. She just makes things a little hard to explain, and this certainly will be hard to explain. For my sake, I hope I never have to.

AUTUMN
David, I didn’t mean to –

DAVID
I know you didn’t. (Walks over to the sofa)

AUTUMN
Listen, we’re gonna find the ring, even if it takes all night.

DAVID
I hope it doesn’t. I have to pick up my kids from school.

AUTUMN
You should know by now, I wouldn’t let anything bad happen to you.

She places her hand on David’s cheek and turns his head toward hers. Before he knew what hit him, she kisses him. It was longer than a peck, but it was still a short kiss. For David, it wasn’t short enough. One of the paparazzi, who is hiding in the bushes takes pictures outside one of the living room windows.

AUTUMN
I know I had no right to do what I did. I just couldn’t resist.

DAVID
Okay, if you didn’t hear me before, take the wax out of your ears so you can hear me now. I don’t want to, need to, or intend to do anything I’m supposed to do with my wife.

Autumn nods her head and she looks around the room to desperately find something else to talk about. She sees Gabrielle come into the room from the kitchen. Autumn motions her hand to tell Gabrielle to come over to where Autumn is standing. She looks to see if David is looking and slips Gabrielle the ring.

AUTUMN
(In Gabrielle's ear) Gabby, make sure Miss Hayes gets this. Tell her where it came from, okay?

Gabrielle nods then leaves the room. Autumn turns around and looks over at the clock on the opposite wall. She looks confused until she checks her watch on her wrist.

AUTUMN
Your ring isn’t the only thing lost around here. I lost track of time. My clock decided to go on strike.

DAVID
Let's hope, for your sake, it doesn't become contagious.

David looks at his watch. A close-up shows the minute and hour hands of the watch.

DAVID
It’s . . .

DISSOLVE TO:

INT. - MADDIE’S OFFICE - A FEW HOURS LATER

A close-up of the same kind of watch, but the hands of the watch have changed. A wider shot reveals Burt lowering his arm.

BERT
. . . Twenty minutes to three.

RYAN
Like I said Maddie, I think I should step aside.

MADDIE
Ryan, don’t be ridiculous. Does this have anything to do with David?

RYAN
Now that you’ve mentioned it . . . (He takes a sip of his juice) you’re husband has been acting a bit strange.

MADDIE
That's a bit of an understatement.

RYAN
I think it's wise if I help Mr. Duncan on another case.

MADDIE
But –

RYAN
The case is about to wrap itself up anyway.

MADDIE
It doesn’t matter how long this case is, what matters is you finishing the work you were assigned. No one for any reason should be able to force you off a case because of imaginary sense of jealously.

BERT
Miss Hayes.

MADDIE
Oh, Bert. Sorry to keep you waiting. What did you come in to talk about?

BERT
I’m reporting about my assignment.

MADDIE
What assignment, Mr. Viola?

BERT
Mr. Addison didn’t tell you?

MADDIE
He’s not around much to tell me anything these days.

BERT
Um, well, Mr. Addison wanted me to go undercover as George Milner’s new client.

MADDIE
And?

BERT
He’s not there.

MADDIE
He’s not there? David didn't get a bandage on his head, coupled with a hefty hospital bill for chasing someone who isn't there.

BERT
Well, he is there, but not as George Milner. (He hands Maddie a folder) He’s –

MADDIE
Jerry Pearson. (Leafing through the folder) He’s not a stockbroker he’s –

BERT
A bookkeeper of Haskell and Thorton Limited.

MADDIE
(To herself) So, that’s why.

BERT
Why what, Miss Hayes?

MADDIE
The reason he jumped out the window. When David and I spoke to . . . What’s his name?

BERT
Jerry –

MADDIE
He thought we were after him. He must have screwed up with the higher ups. You usually don’t jump out of a window when someone says they’re looking for someone. Next thing to do is find out who this Jerry is and the background of this company.

BERT
I’m already on it. Agnes is checking into it as we speak . . . well, just as soon as she gets off the phone with one of Autumn’s assistants.

MADDIE
Getting chummy with them I see.

BERT
Not really. One of them keeps calling her to keep tabs on the investigation.

The buzz from Maddie’s phone interrupts the conversation. She presses a button on her phone.

MADDIE
What is it Agnes?

AGNES
David’s on the phone.

MADDIE
It’s about time. The party’s been over two hours ago.

AGNES
Not that David. It’s the David you created with the other David.

MADDIE
That David?

AGNES
Uh-huh, that David.

MADDIE
So, where’s the other David?

AGNES
That’s what this David is calling to find out.

MADDIE
Put David on . . . Hi sweetie did Dad start his concoction of what he thinks is dinner?

LITTLE DAVID (Off Screen)
I’m still here.

MADDIE
Here meaning?

LITTLE DAVID (Off Screen)
School.

MADDIE
Your father didn’t pick you two up, yet?

LITTLE DAVID (Off Screen)
Nope.

MADDIE
And where’s Ashley?

LITTLE DAVID (Off Screen)
She’s playing with her friends over on the other side of the room.

MADDIE
I’ll be right there in a few. Bye, bye. (Hangs up the phone) (To Bert and Ryan) I’m sorry but I have to go.

RYAN
Which brings me back to why I needed to talk to you.

MADDIE
Ryan, if you want to leave, leave. But don’t leave because someone else wants you to leave. Leave because you want to leave.

BERT
I need to leave. (Ryan and Maddie looks at him) To . . . go to . . . the bathroom. (He exits, but stops when Gabrielle passes him to go into Maddie's office.)

GABRIELLE
Hi, Miss Hayes.

MADDIE
Gabrielle . . . is everything all right?

GABRIELLE
Oh, there's nothing to worry about. Autumn wanted me to give you this.

She takes out David's ring from her pocket and hands it to Maddie. Maddie looks shocked as her eyes follows the ring going into her palm in disbelief. She lifts her eyes up to Gabrielle.

GABRIELLE
Is there something wrong?

MADDIE
Oh, no. No . . . nothing's wrong. Thank you.

GABRIELLE (Looking awkward)
Well . . . goodbye, Miss Hayes.

She turns to walk out of the office. Bert turns to see her go, then turns his attention to his boss. He decides to give Maddie some privacy and leaves. Maddie regains her composer and turns to Ryan.

MADDIE
Well, if you will excuse me, I must be going. Ryan, think about what I said, okay?

RYAN
(Looks a little puzzled)
Okay.

MADDIE
Okay.

She prepares to leave her office. Ryan is a few strides ahead of her and is walking to the get to the front door.

CUT TO:

INT. - AUTUMN’S LIVING ROOM - CONTINUOUS

Autumn enters the living room. She sees David sitting on the sofa with his head still in his hands. She sits next to him and puts her arm around his shoulders.

AUTUMN
I think I can find a way to make this situation better.

DAVID
If it ain't gold and can fit on my fourth finger, I seriously doubt it.

David’s cell phone rings and he takes it out of his pants pocket.

DAVID
(Sounds depressed) Yo? . . . (He sits up in his seat) Jamie, what were you able to find? . . . You’re kiddin’ . . . you’re not kiddin’ . . . are you kiddin’? I’ll be there before you can say a mouthful. Speaking of which, did you happen to run into a piece of cake sitting in the fridge? . . . good, I asked Agnes to do it for me since I’m stuck doing . . . what I’m doing. . . . Yeah, I’m leavin’ right now, okay? Bye. (Hangs up the phone and get up from the sofa)

AUTUMN
You really have to?

DAVID
Yeah, I have to. Jamie has brought a major development to our office. It starts with Scott and ends with Edwards. (Starts to walk out the room)

CUT TO:

INT. - CONFERENCE ROOM - 30 MINUTES LATER

David walks in and Jamie sits in one of the leather chairs.

DAVID
So, where is he?

VOICE (Off screen)
Is this the room you said for us to meet?

JAMIE
Yes, Scott come in. Mr. Addison, this is Scott Edwards.

DAVID
Your reputation precedes you, Mr. Edwards. (Shakes Scott’s hand)

SCOTT
Good I hope.

DAVID
Depends on what you tell us.

JAMIE
Is Miss Hayes still in her office? I didn’t have time to go over and check.

DAVID
You’re in luck because I do. Be back in a sec . . . or two or ten . . .

SCOTT
I get the picture.

DAVID
Good. I didn’t know what I’d do if you didn’t. (Leaves the room)

CUT TO:

INT. - MADDIE’S OFFICE - CONTINUOUS

David knocks on her door.

DAVID
Hey, Maddie. Our special guest star has dropped by for his special appearance. (He hears nothing) Hey Goldilocks, the coast is clear I saw those bears hibernating in the men’s room and by the smell of it, they’ll be alone in there for a long time . . . (Still hears nothing) Maddie? . . . C’mon we can’t keep Scott (Opens the door to an empty room) waiting.

He looks around the room to see if she left a note or a message on her voice mail, but doesn’t find anything. He looks under the desk almost as a joke. When he lifts his head from under the desk, he sees five words on Maddie’s email on her laptop that has got him concerned. “We need to talk – Ryan.” When he steps away from the desk, the door opens and David looks at Ashley and little David stand behind their mother. David’s eyes are set firmly on Maddie.

DAVID
We need to talk.

FADE OUT

END OF ACT THREE

- 4 MIN COMMERCIAL BREAK -

ACT FOUR

FADE IN:

INT. - MADDIE’S OFFICE - CONTINUOUS
After a few seconds of tense silence.

David points to Maddie’s laptop.

DAVID
What the hell is this?

ASHLEY
Uh-oh. I feel a major blow up coming from that volcano. Let’s go to the game room o’ brother of mine.

LITTLE DAVID
It’s not like we haven’t seen it before.

She pushes little David in the direction of the game room. When their children leave, Maddie calmly walks in her office and closes the door.

DAVID
Well? . . . I’m waiting.

MADDIE
Waiting for what?

DAVID
An explanation.

MADDIE
Not only do I not have an explanation, I don’t owe you one.

DAVID
Don’t owe me one?

MADDIE
Don’t owe you one! You disappear for hours at a time, forget to pick up the kids. And when I finally get a chance to look at your face, what do you greet me with!? “What the hell is this?” Damn it! That question should only be asked by me! Get it! Is it getting inside you what you think is a brain!?

DAVID
(Seething)
Flattery will get you nowhere.

MADDIE
I know what’ll get you nowhere. This flimsy excuse for being angry.

DAVID
Flimsy!?. . . Flimsy!? . . . The only thing flimsy is your denial in telling me there’s nothing going on between you two!

MADDIE
Two!?

DAVID
As in you one, and Ryan two. Do I have to write it on a blackboard or do you need to peek at somebody else’s notes to keep up?

MADDIE (Voice Over)
Why you intolerable, cantankerous, repulsive excuse for a human being.

DAVID
So, you’re trying to tell me that checkin’ out your new hunk is a load of bunk, huh?

MADDIE
Checking out my new . . . (She’s trying to hide her stunned reaction) How could you have possibly known about –

DAVID
Don’t worry about how I know.

MADDIE
You were following me, were you?

DAVID
Didn’t have to.

MADDIE
Why is it when I do it, it’s considered the worst crime a woman can ever commit, but when you do it, it’s considered a harmless activity?

DAVID
But I didn’t –

MADDIE
Bull! You did, you know you did! You did it so much it took you five hours to get back here!

DAVID
I was working!

MADDIE
I guess you worked so hard you forgot to take this with you. (She pulls out the ring and shoves it in his face. David looks stunned.)
(Voice Over) Don't you even try to wiggle you way out of this one.

DAVID                                                   MADDIE
You’re taking it wrong if you                 What I’m I saying? Of course,
think there’s anything going on!             You’ll deny it! Well, I hate to
Denying what? There’s nothing              break it to you pal, you’ve been
to deny!...Oh, we’re back to the             busted! You've been reeled in
“pal” thing again. When are you             by my fishing rod with a dose
ever gonna get off that word?               of truth attached as bait! Why
I bet it will live on long after                  am I wasting my breath? Why
the human race is extinct!                       do I even bother? You wouldn’t
Cockroaches will incorporate it             know the truth even if it smacks
in their vocabulary!...Truth!? If              you in the face! I don’t know
your right hand is supposed to be          if I can believe what comes out
the truth, I’m in more trouble than         of that big mouth anymore!
I thought!

DAVID
What am I supposed to believe other than my wife having the hots for a younger guy.

MADDIE
Unlike my husband having the hots for a younger woman?

MADDIE (Voice Over)                          DAVID
The hots for another guy? I’m               If my memory serves me
not the one who’s hours are not             correctly, being a bodyguard is
accounted for! I’ve been here,                one of the things you do as a
in this office closing what is                   detective. Remember that word
supposed to be one of the best,              Maddie, detective? What do you
if not the best thing that ever                 think we’re in this business to do?
happened to this agency, and what         Let our clients die ‘cuz you think
do you do? You’re running around          I’m using this as a contact sport?
with a Britney Spears, Jessica                What do you care?...I bet it was
Simpson, Mandy Moore wanna             part of your plan to get rid me!
be...Are you crazy!

MADDIE                                                DAVID
That has nothing to do with it!               That has everything to do with it!

MADDIE
I already told you there’s nothing going on.

DAVID
Yeah, well my nothing is different from your nothing.

MADDIE
How so? I’d love to hear this.

DAVID
‘Cuz my nothing is really a nothing.

MADDIE
She certainly is.

Maddie feels a sudden pain as it tightens the right side of her neck. She grabs hold of it.

DAVID
(Looking concerned)
What? What’s the matter?

MADDIE
I just felt a little something in my neck.

DAVID
Let me help.

He stands behind her, puts his hands on shoulders (closer to her neck) and starts giving her a massage.

MADDIE
David –

DAVID
Maddie, shhh.

MADDIE (Voice Over)
Look, I don’t need you to . . . oooh, this feels soo good . . . (David smirks as he continues massaging her) He always knows how to . . . What a minute. What am I? . . .

She jerks herself away from David’s grasp.

MADDIE
What are you doing? We're in the middle of an argument.

DAVID
You know what?

MADDIE
What?

DAVID
(Softly)
You always look so damn good when you’re angry.

MADDIE (Voice Over)
David, don’t do this.

DAVID
Can’t help it.

MADDIE (Voice Over)
You can try.

DAVID
But I won’t.

MADDIE
Excuse me?

DAVID
I’m not changing how I feel.

MADDIE (Voice Over)
David.

DAVID
Maddie.

MADDIE
You’re not going to change the subject.
(Voice Over) Kiss me.

DAVID
What did you just say?

MADDIE
You’re not going to change the subject.
(Voice Over) Kiss me.

DAVID
What if I kiss you right now?

MADDIE
I’ll stop you before it happens.

DAVID
Are you sure?

MADDIE
What do you mean, “Are you sure?” Sure, I’m sure. Of course, I’m sure. Why wouldn’t I be sure?
(Voice Over) Because I’m not sure.

DAVID
Maybe this will help.

He walks in front of her and prepares to kiss her. Before they touch lips there's knocking on the door. He opens it to find Jamie on the other side. He immediately remembers why she is standing there.

DAVID
Jamie, I . . . I’m sorry. I totally forgot. Miss Hayes and I were in a middle of an important discussion. Is he still here?

JAMIE
Yes. I was able to stall him by turning on ESPN.

DAVID
Nothing like “Sportscenter” to put a guy in his place.

CUT TO:

INT. - CONFERENCE ROOM - MINUTES LATER

DAVID
How did you meet up with George?

SCOTT
It was the weirdest thing. It was like he knew when I needed help at the precise time I needed it, you know?

DAVID
I’m trying to.

SCOTT
You see, the business Autumn and I started wasn't doing so well and our venture capitalist were demanding their money back.

MADDIE
I don’t understand how Jerry contacted you?

SCOTT                                         DAVID
Who?                                               Who?

MADDIE
You didn’t know? . . . (Realizing) Oh, right, you don’t know.

DAVID
About?

MADDIE
Mr. Viola came back and found out your stockbroker is nothing more than a bookkeeper for Haskell and Thorton Limited.

BERT (Off Screen)
The same company owned by the same venture capitalists who’s trying to blackmail you into making them Autumn’s managers. (Bert walks in – To Maddie) Sorry, Miss Hayes. I couldn’t resist.

SCOTT
Now it makes sense. I was in their waiting room.

MADDIE (Voice Over)
I hope Ryan reconsiders.

DAVID (Getting up)
Okay, That's it!

MADDIE
David?

DAVID
You're still thinking about him, aren't you?

MADDIE
Thinking about who?

DAVID
C'mon Maddie, don't play games with me.

MADDIE
If you need to know, which for the record is entirely none of your business, Ryan came to me to abandon our case. And now, I can understand why.

DAVID
You can, huh? I hope you can understand why I'm about to this. (He turns and walks out the office)

Maddie looks at the rest of the people in the room who are now speechless.

MADDIE
Listen, let's forget about what just happened if you don't mind. (Everyone nods) We're here to figure out what is going on with Mr. Edwards, okay? . . . (Everyone still stares at her) Okay? (They all nod again) Okay. . . now where were we?

SCOTT
(Feels uncomfortable) Umm . . . as I . . . was saying . . . I was waiting to meet the people at Haskell and Thorton so I can beg for more time and George . . . I mean, Jerry sat next to me. We got into some small talk. The next thing I know I was telling him my sob story.

JAMIE
Then he invited you into his office –

BERT
The office his bosses set up for him, and persuaded you to part company with your hard earned cash into a worthless investment.

JAMIE
(To Bert) You mean, his backers owned the company Scott invested and deliberately made it go belly up?

BERT
Uh-huh.

SCOTT
So, you mean this was a set up right from the start?

BERT
Yup. It was done to put you in a no-win situation, sell Autumn out, and gain control of her finances.

SCOTT
How can you be sure?

BERT
(Opens the folder of Jerry's file on Scott)
It's all in here. (Shows Scott the folder)

JAMIE
Not only are they after Autumn's finances, they want control over her future merchandising endeavors.

Scott shakes his head in disbelief while Maddie stares off to the other side of the room half listening to what is being said.

BERT
Agnes is still getting more info. on what other properties they have their filthy paws on.

SCOTT
But it doesn’t explain why Autumn thinks I’m the one who’s after her.

BERT
Someone close to her must be putting sweet nothings in her ear. Right Miss Hayes . . . (She is still in her trance) Miss Hayes?

MADDIE
Oh . . . I'm sorry, Bert. Why don’t we continue this tomorrow. I have two hungry children to feed.

Everyone gets up from their seats to leave the room. Bert spots David's cell phone on the table. He checks to see if there are any messages. There is one new message. When everyone else has left the room, Bert presses a button and retrieves the message.

VOICE (Digitally distorted – Off Screen)
Some kiss you gave Autumn, Romeo. Give up the investigation our your wife will find something interesting to read in next morning's paper.

Bert nervously puts the phone into his pocket and quickly walks out of the room.

DISSOLVE TO:

INT. - DAVID’S OFFICE - THE NEXT MORNING

David's theme plays as David stares aimlessly out of the window. He hears a knock on the door.

DAVID
Yo.

BERT
(Walking into the room) Umm . . . Mr. Addison? I hate to tell you this . . .

DAVID
How could she do this?

BERT
Huh?

DAVID
(Swivels his chair around) How can Maddie do this to me?

BERT
Mr. Addison –

DAVID
She basically has set her sights on a new guy.

BERT
Have you ever seen them kiss?

DAVID
Is Ryan still walking?

BERT
Yeah.

DAVID
Then I didn't see them kissing.

BERT
Speaking of which –

DAVID
I don't know what went wrong.

BERT
If this will ease your mind, sir, I was in Miss Hayes' office yesterday while Ryan was here, and I didn't see anything alarming . . . not as alarming as this . . .

Bert unfolds the paper and turns the page to the three-inch color photo of David and Autumn kissing. David can't believe what he sees before him.

BERT
You left your cell in the conference room last night. (Puts the phone on David's desk) It had a message threatening to put this in the morning paper if you continued with the investigation. I took the liberty to collaborate with a friend of mine in the intelligence community to see if we can trace the call. I wanted to tell you, but my friend felt it was best not to worry you if it turned out to be bogus. Unfortunately, it wasn't and we couldn't trace the call in time. However, he's in the middle of unscrambling the voice of whoever left that message. He should be calling me in a few hours.

David puts his head in his hands, then puts his head on his desk.

BERT
Umm . . . sir, while you were . . . you know, kissing Autumn . . . were you . . . thinking of . . .

DAVID
Trading Maddie in for a new model? Or in this case, a new ex-model? Bert, I'm not gonna lie, the thought crossed my mind for me to give Autumn a tune up. But me and Maddie . . . we've traveled too many miles, hugged too many curves, solved too many forks in too many roads for me to carry the thought of adultery seriously. How many times did I think we were headed for another dead end, only to find there was a new road being paved? True . . . a new model runs better, drives faster, and has better equipment, but breaking in a new Porshe to replace a vintage Mustang? . . . Never. (Bert smiles)

BERT
But sir, isn't it what Miss Hayes was alluding to?

DAVID
How so?

BERT
Well, you just said the thought crossed your mind about Autumn, and you never intended on acting upon those impulses. Shouldn't Miss Hayes have the same luxury to think the way you think she was thinking?

DAVID
Yeah, but –

BERT
She wouldn't have looked so upset when Gabrielle gave her that ring if she didn't –

DAVID
Ring? What ring?

BERT
The ring Gabrielle said Autumn found.

David gets angry, gets out of his chair, sprints to the door, and out the office. He continues to race toward the front door

DAVID
(To Agnes but doesn't look at her) I'm going to Autumn's.

AGNES
Yes, Mr. . . .(David slams the door) Addison.


CUT TO:

INT. - MADDIE’S OFFICE - MINUTES LATER

Maddie's theme plays as a close-up of Maddie's profile looking at her laptop. She stops, looks up, then decides to get up and walk out the door.

CUT TO:

INT. - DAVID’S OFFICE - MINUTES LATER

Maddie's theme continues playing when she opens the door and walks inside.

MADDIE
David, I'm . . .

She heads straight to the color photo of her husband kissing another woman in the paper.

MADDIE
. . . Sorry for feeling the need to apologize!

She tosses the paper on the desk and storms out of the office. She continues walking to the front door.

MADDIE
(To Agnes but doesn't look at her) I'll be at Autumn's house.

AGNES
Yes, Miss . . . (Maddie slams the door) Hayes.

CUT TO:

INT. - AUTUMN’S FRONT DOOR - MINUTES LATER

Autumn opens the door and sees David.

AUTUMN
David! I'm so glad you're here!

She pulls him inside before he has the chance to say a word. She continues dragging him into the living room.

AUTUMN
I've been wondering if I should add this song in my next concert. It's so different than what I usually sing –

DAVID
Autumn –

AUTUMN
Just listen to it, please? I need to get your opinion.

David relents and sits on the sofa. Autumn eagerly takes out the tape she was practicing with and put in another one. She presses the play button and quickly sets her position a few feet away from David. She closes her eyes and anticipates the start of the music. A slow melodic ballad makes its way out of her stereo speakers. She seductively moves her hips as she starts her rendition of Vanessa Williams', "You Would Be My Baby."

AUTUMN
(Singing)
If I had a secret recipe,
You would be my baby
If I had the perfect fantasy,
You would be my baby
If the world was mine to redesign
Then suddenly you would find
That you'd be my baby

If I wrote you poems that made you cry
Would you be my baby
If I say the sweetest lullaby
Would you be my baby...

CUT TO:

EXT. - OUTSIDE AUTUMN’S HOUSE - CONTINUOUS

Autumn continues singing as Maddie carefully raises her head to take a peek outside one of the living room windows.

AUTUMN (Off Screen)
(Singing)
...If I promised you the moon and stars
With heaven waiting in my arms
Would you be my baby...

A close-up shows Maddie rolling her eyes.

CUT TO:

INT. - AUTUMN’S LIVING ROOM - CONTINUOUS

Autumn continues to serenade David.

AUTUMN
...But if I only have true love to offer you
Would that be enough to make you want me too?

I would kiss and tuck you in each night
If you would be my baby...

CUT TO:

EXT. - OUTSIDE AUTUMN’S HOUSE - CONTINUOUS

Maddie searches for an open window to climb into, but doesn't find one.

AUTUMN (Off Screen)
...Then I'd watch you sleep and hold you tight
If you would be my baby
I would make you mine for rich or poor
And never need to ask for more...

CUT TO:

INT. - AUTUMN’S LIVING ROOM - CONTINUOUS

AUTUMN
If you'd be my baby...

CUT TO:

EXT. - OUTSIDE AUTUMN’S HOUSE - CONTINUOUS

The bluesy musical interlude plays when Maddie finds an open window. She also finds a black bag, hat and bends down to pick up an earring close to the other items. She looks closer to find that the window is unlocked from the inside. She puts the earring in her purse and starts climbing through the window.

CUT TO:

INT. - AUTUMN’S LIVING ROOM - CONTINUOUS

Autumn starts to advance on David. He can't help but become fixated by her sensuous performance.

AUTUMN
...If I had a chance at real romance
If I could choose my circumstance
Then you'd be my baby

If I only have true love to offer you
Would that be enough to make you want me too

Autumn leans closer to David

If I had a secret recipe,
You would be my baby...

CUT TO:

INT. - AUTUMN’S KITCHEN - CONTINUOUS

It's dimly lit as Autumn continues her performance.

AUTUMN (Off Screen)
If I had the perfect fanasy,
You would be my baby
If the world was mine to redesign...

Maddie looks around and hears something out of a corner. She spots O'Neil bound and gagged in a chair. She tip toes to O'Neil and helps to untie him.

...Then suddenly you would find
That you'd be my...
You would be my baby...

CUT TO:

INT. - AUTUMN’S LIVING ROOM - CONTINUOUS

AUTUMN
You'd be my baby.

She ends her serenade by kneeling down next to David on the carpet. She touches his thigh and rubs it gently as the music fades.

AUTUMN
So, what do you think?

DAVID (Looks astonished)
What do I think? I think you're claimin' to be Nancy Kerrigan when you're really Tonya Harding.

AUTUMN (Not following)
Excuse me?

DAVID
What you did to Maddie was a low blow.

AUTUMN
I was returning the ring.

DAVID
I was right there! (Pointing over to the fireplace) Why didn't you give it to me?

AUTUMN
I . . .

MADDIE (Voice Over, Off Screen)
Can't believe he's choosing this pop tart over me.

DAVID (Jumps out of his seat)
Maddie!?

MALE VOICE (Off Screen)
If you do that again, I'll blow your head off.

DAVID
(To Camera) I gotta check the batteries on my hearing aid.

He turns around to see Jerry holding a gun.

DAVID
Oh good . . . I was beginning to think there was something wrong.

CUT TO:

INT. - BERT’S OFFICE - CONTINUOUS

Agnes enters with the research of Haskell and Thorton Limited. Bert is still listening to a voice on the stereo.

AGNES
Here's the last of what I was able to dig up. (Gives Bert her folder) Are you ready to pick Jeffrey up from school?

BERT
In a minute.

AGNES
What are you listening to?

BERT
Remember I told you about Mr. Addison's message? My friend helped unscramble the voice. He put it on tape and FedEx'd it to me not too long ago. The voice sounds familiar, but I still can't figure it out.

AGNES
(Walks closer to the stereo) Why is she on the tape?

BERT
She? Who’s she?

AGNES
Her. She kept calling here almost every day, remember?

BERT
You mean her?

AGNES
Yeah, I mean her. (Agnes and Bert slowly look at each other as they put two and two together) You mean? . . .

BERT
You mean? . . .

BERT                                              AGNES
Where’s the car keys!?                    Where’s the car keys!?
I thought you had them.                  I thought you had them.
No. I Thought you had them.          No. I Thought you had them.

They run out of the office. A second later, Bert runs back to his desk, opens one of the top drawers, takes out the keys and runs back out the office.

CUT TO:

INT. - AUTUMN'S LIVING ROOM - MINUTES LATER

Autumn and David still have their hands up as Jerry points his gun at them.

AUTUMN
(Leans her head over to David)
Who is he?

DAVID
Meet George Milner, I mean Jerry Parsons. Scott's stockbroker, oops I mean, Haskell and Thorton Limited 's bookkeeper. I'm up to date ain't I, Jerr?

JERRY
Shut up!

DAVID
Shutting up. (To Autumn) You never know how uptight people can be when they have a gun in their hand.

MADDIE
That's right, you're shutting up!

DAVID
Yet, for some people, being uptight is their nature.

MADDIE
(Maddie is livid) You have the nerve to attack me about Ryan while all this time, you've been enjoying a front row seat to your private concert!

DAVID
Maddie –

MADDIE
Don't! . . . (Looks over at Jerry)
(Voice Over) Shoot!

Jerry waves his gun to make Maddie join David and Autumn near the sofa.

AUTUMN
Look, if it's about Scott's debt, I'll pay it!

JERRY
Great! . . . For someone who didn't know you filed for bankruptcy. Besides, that's not why I'm here.

MADDIE
Why is he here, David?

DAVID
I don't know. I didn't invite him.

JERRY
Let me take a stab at it.

DAVID
With a gun?

JERRY
I'm here to make sure Miss Summers signs this. (He takes out a contract from his jacket pocket.)

AUTUMN
Sign? Sign what?

DAVID
He wants you to sign away your career to his bosses at Haskell and Thorton. The same people who backed you and Scott in your ill-fated business.

MADDIE
(Looks confused – To David)
How did you . . .

DAVID
Bertie, filled me in last night.

AUTUMN (To Herself)
So, this was all a set up.

JERRY
Wow. You got it in record time. You're not as stupid as my boss said you are. (He walks up to Autumn, puts the gun at her temple and slams the contract on the coffee table) Sign! (A sound of glass makes Jerry jump, he turns around to see O'Neil, lurking around the Grand Piano area. He was trying to sneak up on Jerry. Jerry puts his hand to his chest.) What were you tryin' to do, scare me to death?

David kicks his foot near Jerry's wrist to jar the gun out of his hand, then punches Jerry in the face. Maddie picks up the gun. Jerry puts his hands in the air. Elena and Gabrielle are walking down the stairs to see what is going on. Elena screams in horror. This distracts Maddie. It also lets Jerry wrestles the gun out of her hands.

DAVID
(To Elena – sarcastically)
Nice goin'.

AUTUMN
(Extremely frustrated) My God! Can you do anything right!?

Jerry turns the gun on both women and makes them walk down the stairs and join the rest of the people who have their arms in the air. As he looks at the two women walking down the stairs, David mouths to O'Neil –

DAVID
Where's Simmons?

O'Neil points up to the ceiling to say he is still upstairs.

Jerry points the gun to Autumn's head again.

JERRY (Snidly)
Now . . . would you sign, please?

She sneers, but finds there is no other choice but to pick up the pen and sign the contract on several pages. As Jerry checks her signatures as Simmons tip toes down the stairs.

JERRY
(Smug tone in his voice)
It was nice doing business with you.

He turns around to walk out of the room. Simmons attacks him from behind. It sends the gun flying over to O'Neil's direction. The contract falls to the floor. Elena runs over to pick it up. However, Jerry breaks free from Simmons and is closing in on the gun. David lounges to get it before Jerry can get his hands on it. O’Neil had the same thought and beats David to the gun. Unfortunately, O’Neil knocks his boss into Autumn’s piano. David’s head lands squarely on top of the piano. Its legs snap and sends the piano, and David, to the floor. Jerry tries to regain control of the gun from O’Neil, but Maddie attacks Jerry from behind as she jumps on his back. Autumn wants to help by picking up one of her vases and throws it in Jerry direction. He ducks and it smashes on David who is already unconscious. Seeing this, Autumn runs over to David. O’Neil and Maddie subdues Jerry while Simmons regains control of the gun. Elena stands there like she is frozen.

AUTUMN
Will you call 911 already!

Elena runs over to the phone. Autumn looks down at David.

AUTUMN
David?. . . David . . .

DISSOLVE TO:

INT. - DAVID’S HOSPITAL ROOM - EVENING

AUTUMN
David? . . . are you okay?

DAVID
(Half asleep)
Maddie? . . . Maddie? Is that you?

Autumn hangs her head down as slowly steps aside to stand next to Gabrielle and Elena. Maddie moves closer to the bed.

MADDIE
David, I’m here. I’m right here. (She clutches on to his hand)

DAVID
The kids. Where are the kids?

MADDIE
They’re at home . . . waiting for you.

Autumn sees she is the third wheel and prepares to leave.

AUTUMN
I better be going.

Autumn continues to leave the room. Maddie decides to follow her.

DAVID
And where are you going?

MADDIE
I have some unfinished business to take care of.

DAVID
Make sure to keep your hands are below the face. (Maddie turns around) She still needs it for a living.

CUT TO:

INT. - HOSPITAL HALLWAY OUTSIDE DAVID’S ROOM - CONTINUOUS

Maddie swings the door open to see Autumn sitting at a nearby bench. Maddie walks over and sits next to her.

AUTUMN
I’m sorry, Miss Hayes.

MADDIE
For what? Being attracted t